They Live (1988)

First of all, apologies for the lack of posts in the last few months; as we all know life can be the real horror sometimes, and has a nasty habit of getting in the way. Normal service shall now resume.

Euphemisms are a polite way of referring to subjects that aren’t particularly nice or easy to talk about, like death, infidelity, prison, and even genocide; but if the appointment of the new dictator, I mean president of the United States has taught us anything, is that the world as it stands right now, needs some straight talking and honesty.

‘’Alt Right’’ is a term that has been bandied around a lot in the media recently, and let’s face it, when the phrase comes up we know exactly what is meant by it. A racist,  women hating, gay bashing, Muslim fearing individual, or group thereof, that whether they admit it or not, has more in common with Hitler than the Western spin machine would have you admit.

As you can tell, I’m not a fan.

John Carpenter got into some beef with the Nazi fringe groups last month when one of his greatest films was wrongly attributed to be an allegory for the racist ideals of the Anti-Semitic agenda. To have your work hijacked by loathsome bigots, is bad enough, but the fact these individuals completely misinterpreted the real allegory behind the film is the real kicker.

It’s about capitalism. And it’s a film that is simplistic in its symbolism, easy to interpret for those who like to look deeper into the layers of art, and a great cult classic for those who just like good films.

Just as those who interpret religious texts for their own ends, art can be used in the same way. Beauty is in the eye of the beholder and unfortunately, so is ugliness.

They Live is a highly underrated film. It’s low budget, cheesy, colourful, fun and very tongue in cheek; but it is scarily relevant to today’s political and sociological climate, as it was when it was first made.

Average Guy finds pair of glasses that reveal to him that aliens are slowly brainwashing the public through subliminal messaging, They are everywhere and it is up to him to reveal the truth that is hiding in plain sight. Kinda poetic huh?

Sound familiar?

Roddy Piper is great as our unlikely hero, and brings a certain spark that I feel without him the film would lack. He’s energetic and fun, and goes a long way to giving the film its quirky charm. I love the homage to those fifties and sixties sci-fi/horror drive in style movies like The Blob and Teenagers from Mars, and the simplistic style has made this a firm favourite for me from the first time I saw it.

This was clearly an attack on the Reagan presidency, but that is MY interpretation … wouldn’t want to impose my values on anyone, right …  It’s funny how things have come full circle, and all the work done to repair the damage done by Ronnie and old Maggie across the pond is being speedily destroyed by Theresa May and the Trump regime under the watchful eye of that ole fear monger Steve Bannon. Except it’s not funny at all. It’s pretty scary.

The enemy isn’t hiding any more, and it’s time to stop sugar coating the ‘’Alt Right’’ for what it really is. It is the face of racism, homophobia, sexism and fear. The media bombards you with fake news to scapegoat the little guys while the money men are stripping the rights of the most vulnerable in society.

You can all pick up the sunglasses and view it as it really is, or you can ‘’Stay Asleep’’.

This entry was posted in 80's horror, Eighties Horror, fiction, film and media, opinion, pop culture, rant, Uncategorized and tagged , , , , , . Bookmark the permalink.

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