Playground aka Plac zabaw (2016)

I am fully aware that I am probably going to cop a lot of hate for this one, but opinions are like assholes, everybody’s got one, some of them stink, you don’t have to find them attractive and this is just mine.

One of the most polarising criminal cases in modern history is that of the murder of James Bulger by two ten year old boys Jon Venables and Robert Thompson, and with the former of the two being jailed again recently, after being found with child pornography on his computer, and two recent documentaries looking back at the case.

Although a brutal and shocking crime, child murderers are not a new occurrence – from Mary Bell to the recent case of fifteen year old Kim Edwards who along with her young boyfriend, violently stabbed her mother and thirteen year old sister to death. The difference between these cases and the Bulger case is how the tabloid manipulated the  public reaction which in turn, influenced the trial, making it impossible for justice to be done.

The Bulger murder happened in Liverpool – now that might not seem like it means something, but the Hillsborough disaster had happened in 1989, and due to vile lies published in The Sun newspaper saying that local people had pickpocketed the dead, no one in this part of the UK has bought the red top rag since (although I’m not entirely sure why anyone would have wanted to in the first place), and most places refuse to even stock the printed toilet paper. What has this got to do with the murder, you ask? Well, no one went harder at printing details of the case than The Sun, making sure that everyone knew what these children looked like, salaciously dragging out every detail of the case under the guise of wanting justice, when really it was a poorly veiled attempt at trying to get the people of Liverpool back on side and buying their papers again. After the sentencing, they even went so far as to print cut out coupons, for people to send to then Secretary for Justice Michael Howard to demand he intervene. Laughable, considering that this newspaper hacked a murdered girls mobile phone and deleted voicemails on it, that both impeded the investigation, and gave her family false hope that she was still alive.

What does a tabloid newspaper have to do with trial two confessed murderers? Why should I care? Well firstly, we must remember that albeit murderers, these were still children; in fact, had the murder been committed a few months earlier, they would not have been tried as adults. Now, I don’t know about you, but there certainly was not much difference between my nine year old self’s maturity in comparison to my ten year old self. You aren’t considered old enough to consent to sex until sixteen, but you can go can join the army and wield weapons? I feel like our country is skewed when it comes to how the law views age, in a lot of ways – you can legally consent to have sex at sixteen but are not considered mature enough to vote. You can be tried for a murder at ten, but can not serve on a jury until you are eighteen because you aren’t considered sophisticated enough to make enlightened choices until then. Huh, when you put it in those terms, it doesn’t seem like the law is playing fair at all, does it?

Now these kids, murdered James Bulger, no question. The problem that I have with the whole situation is that they could never have had a fair trial. Everyone in the UK knew the name of these boys, their faces, their family background, and the details of the crime thanks to the tabloid press. Their pictures under headlines such as ‘’Monsters!’’ mean that any jury called to be part of this trial would be tainted, and have already formed strong opinions about the case, therefore meaning that the basic human right of fair trial had been made impossible. The public outcry against the boys, made worse by the tabloid press constantly stirring them up, made it hard to ensure the boys’ safety without giving them new identities at eighteen. The public and press demanding these children be named and shown while not comprehending the fact that because their identities are everywhere, putting them in a general prison population straight out of youth detention just was not feasible. They would have had a price on their heads from day one, and people are just missing the point that the boys had served out the sentence they were given, and that is all the law can do. Prisons and juvenile detention centres are first and foremost about rehabilitation, and with one of these it has worked and the other one it hasn’t, and therefore proving that one of the now men, is reformed and making a life for himself as a productive member of society – proving that the system works.

The mob mentality when it comes to Venables and Thompson is quite frightening in its ferocity decades on, with the bloodthirsty cries of ‘’hang them’’, and the fact that people who are usually reasonable and level headed are sharing alleged photographs of the men, trying to out their new identities illegally and calling for people to attack them. You don’t know that these are actually the Bulger killers, they could just be some poor sod being shared around because someone they know has an axe to grind, or worse, thought it was funny.

When these men were children themselves, they had crowds of adults calling for them to be strung up or beaten to death – the irony of people calling for the murder of children for being child murderers completely lost on them.

A similar case happened in a small town in Norway in 1994 when five year old Silje Redergard was beaten to death by two six year old boys, just nineteen months after the Bulger case. The difference in how the children were treated is stark.  The age of criminal responsibility in Norway is fifteen, and instead of releasing the identities of the children to the press to be tabloid fodder, the boys were moved to another infant school a couple of weeks later and teachers, police and child protective services worked with them to make sure that they were fully able to cope with the consequences of their actions. Even Silje’s mother says that she has forgiven them, and though it is a dark shadow in the history of Norway, because of the way authorities dealt with the situation, the have been able to move on from the terrible events of that day.

Playground is a Polish film that is based on the James Bulger murder, in fact the actual murder scenes are so close to what actually happened that day, from the CCTV scenes of the child being led away from the shopping centre, to the child being placed on the rail tracks, is a truly uncomfortable watch.

The film concerns Szymek and Czarek two boys who, on the last day of school make a decision that will change their lives forever, and ends that of a small child. One cares for his disabled father, and the other his infant brother, both under the intense pressure of the expectations placed upon them, and opportunity and boredom create the most perfect and terrible storm.

Let me tell you this, I have watched hundreds, maybe even thousands of violent films over the years, but this was by far, the most uncomfortable and disturbing film I have watched thus far.

It is a bleak and incredibly intimate portrait of a murder with a finale that will probably haunt me for a long time.

You do not see the violence up close, if at all, and I think in a way it is worse, because as we all know the imagination is far more scary than anything we can see on screen. There is no explanation, no consequences, and you are left with nothing other than the poingnace of a young life lost in a senseless act. Playground is a well made film, with a realism that grabs you and holds you by the throat and knocks you on your arse with a aggression and is hard to create, and hard to get over watching as a viewer.

It is a good film that I wouldn’t recommend to those who are easily upset or offended, but I can’t deny Bartosz M. Kowalski has a talent as a director and will go far. That being said, I won’t be watching Playground again because it is an experience I don’t want to repeat due to the content. The acting is excellent and you believe these characters are completely real, which is is incredible for such young talent, adding to the uncomfortable intensity of watching.

This film portrays the distance and disconnect that happens between family members, particularly between parents and children, and the ripple effect that can spread into the wider community.

If you think you have the stomach for it, this is an excellent example of arthouse cinema, but be warned, the content truly is not for the faint hearted.

As a disclaimer I would like to make it clear that I am not in anyway advocating for murderers or making light of what Venables and Thompson did to James Bulger, but I am an advocate for the right to fair trial, and how society must be aware of the manipulation of certain media organisations who are only interested in their own agenda.
Posted in child murder, critique, fiction, film and media, horror, murder, opinion, Polish Horror, psychological horror, rant, thriller, True Crime, True Horror, Uncategorized | Tagged , , , , | Leave a comment

Final Girl (2015)

Fragile male masculinity is a trending topic right now. Lily Cole, a supermodel, actress, social and environmental activist, Cambridge graduate and all round celebrity type has recently been asked to be a creative partner for the celebrations marking the bicentennial of Emily Bronte’s birth, with the Parsonage Museum in West Yorkshire. Nick Holland, author of several books on the Bronte sisters and tantrum throwing sexist, has quit the Bronte Society citing Cole’s appointment as ‘’farce’’ completely disregarding the fact his point of contention has a double first in History of Art from one of the world’s top universities, and complaining that Bronte would have hated the appointment of a mere supermodel, diluting a multi faceted woman down to her nth point.

Firstly, Cole’s contribution to the project is a short film about Bronte’s most famous anti hero Heathcliffe, discussing gender politics, and the fact that it is also the one hundred year anniversary of women getting the vote. Who better to discuss such a subject than a scholar, and woman?

Secondly, I may not know much about Emily Bronte, but do know this. She was a woman, an icon for modern feminists, intelligent, and let’s face it; no woman who holds strong opinions, wants a man to presume to speak for her. Studying an author who represents some of the basic concepts of feminism and not being able to understand the irony of judging a woman on one job she held as a teenager, make you not only small minded and petty, but incredibly patronising and stupid for someone who feels qualified enough to make an assessment on the perceived intellect of others.

After all, the Bronte sisters had to write under male pseudonyms to even get published originally, because they were aware of the prejudice towards women in their own time, so it is doubtful that they would advocate it in ours. And let’s face it, a society celebrating the lives and works of three strong women, who bucked against the expectations of gender stereotypes, will be much better off without a bigot like Nick Holland.

Final Girl is about bucking the trends of gender stereotyping also, about underestimating a woman based on how she looks, and being schooled royally.

A group of high school boys in a small town are having a lot of fun luring pretty, young blondes into the woods, making a game of stripping down their defences with their gentlemanly charm, and then hunting them down like animals. Abigail Breslin, plays Veronica, a mysterious young girl who is sent to even the odds.

I really can’t sing this films praises enough. It’s clever, kitsch, and stylistically charming. It has a wonderful fifties vibe, that echoes films like Cry Baby and Heathers, while managing to be both original and deliciously entertaining.

Cinematically it has a beautifully retro yet dark colour pallet, with Veronica’s character being the only colourful part of the film, both literally and visually. And yes, while the plot is a little  underdeveloped, with many unanswered questions when it comes to Veronica’s background and the shadowy organisation that has groomed her into a coiffed Hit-Girl, but honestly, I enjoyed it’s tongue in cheek style so much that it papered over a lot of the cracks enough for me not to care.

That being said, it is a B Movie, and they are always polarising, so from the reactions I have seen to the film on the dark recesses of the horror fan forums, you will either gleefully watch it with tongue firmly against your inner cheek, or finger firmly pressed down on the off button; which, sadly is not something we have for small individuals such as the aforementioned Mr Holland.

Posted in critique, feminist horror, fiction, film and media, horror, murder, opinion, pop culture, psychotic killer, rant, revenge, Serial Killers, Slasher, survival horror, thriller, Uncategorized, women's lib horror | Leave a comment

Long Weekend (1978)

When I think of Donald Trump I am reminded of the story of King Canute, sitting on his throne, or playing golf, trying to hold back the tide of reality and failing miserably.

Climate change is here. It’s been here, popping off for decades now, becoming more and more aggressive in its desire for science to be taken seriously.

We are told to recycle, to conserve water, to car share, to grow our own, to reduce food waste; all common sense behaviour  to the average person. Unfortunately, the average person is fighting a losing battle against the mega rich using private jets for a pop to the other side of the country for the weekend, corporations with the governments in their pockets who are breaking environmental laws, fracking with abandon and polluting land with carcinogenic pesticides and dumping their waste in vital water sources.

The fact that governments have been accusing scientists of tilting at windmills for decades instead of getting behind a force for real change is not surprising, but to the ordinary, woke citizen, it is hella frustrating.

Puerto Rico is in a state of emergency, the mayor of San Paolo this week BEGGED POTUS for help in saving the lives of its people, and he put his stubby little fingers to the touchscreen of his phone only to insult her and call the American public who are dying, lazy;  promptly taking his fat, orange entitled ass to play golf again.

You have to have a healthy respect for nature, if only to preserve ourselves, but sadly those in power are making me question whether the human species deserves to be saved. Donald Trump seems like a bad science experiment gone wrong, a blip in the evolutionary scale, and nature is fighting back.

A President with so much power, yet lacking empathy, intellect and humility, who people actually voted to elect, is the most unnatural of disasters.

Long Weekend is the story of a sniping couple on their last ditch attempt at saving their marriage, with a weekend away camping. Not the best plan I know. I mean, camping?

Showing a complete contempt not only for each other but their beautiful surroundings, they leave a path of destruction wherever they go. Littering, cutting down trees, shooting randomly at the wildlife, and destroying bird’s eggs, they have well and truly woken the dark side of nature.

Let me start by saying this; you will not be rooting for these characters from the moment they open their mouths. Selfish, sniping, whining, self-absorbed, and just the sort of people that make me glad to be single. At times it feels more like a melodrama with all the tension and dramatic revelations,  and you find yourself willing something bad to happen to them, just to make them Shut. Up.

There is an immediacy to it that is without doubt unsettling, but the slow creeping terror of the threat, became too slow for me at times, and I felt the screenplay lacked a realism in the reactions of the characters.

Long Weekend is well crafted, with a magical setting that becomes a protagonist of its very own, and it is certainly a great Australian horror; but sadly lacked the suspense to draw me in to the story that unfolded, despite some decent animal effects and fabulous cinematography.

By all means watch it, as I seem to be in the minority who found it somewhat dull for a horror film, but I prefer my outback horror to be less soap opera and more Phantom of the Opera.

Whatever you do, definitely give the 2008 remake a huge swerve. Truly the best advice a girl can give you.

Posted in 70s, 70s horror, Animal attack, Animal horror, australian horror, Bush Horror, critique, Environmental horror, fiction, film and media, horror, insects, opinion, outback horror, Ozzy Horror, pop culture, rant, revenge, Seventies horror, survival horror, thriller | Tagged , , , , , , | Leave a comment

Gaslight (1940)

In 1938 Patrick Hamilton wrote a play that would become so part of the zeitgeist that, the term ‘’gaslighting’’ directly originates from this work, and is used in clinical and mental health research papers.

The term refers to a form of psychological abuse that manifests itself when a purportrator uses techniques to question their own ability to make their own choices, their very sanity, by chipping away at their confidence, making them feel like their concerns are mere paranoia or an overactive imagination. It is insidious, cruel, and  often a slow, drip of abuse of trust that completely destroys a person’s self esteem and forces them to reply heavier on their abuser.

Once you learn to recognise the signs, examples of gaslighting are rife in modern society, from the media, politics, and of course in intimate relationships.          

Donald Trump’s election campaign was a masterclass in gaslighting; from the  constant drip feed of Hilary Clinton’s name used in a derogatory way, using xenophobia and racist stereotypes as a way to spread fear, hunkering down like King Canute against the tide of truths about his (let’s face it) vile character and exposure of his lies, using the voters deepest fears and prejudices against them, while deflecting any and all accusations of his inability to even run a business, never mind a country, and using it to his advantage by pretending to be  Joe Everyman.

He actually found a way to spin his constant stream of nonsensical lies into accusations of media bias against him, and unfortunately a LOT of people ate it up like dog’s eating  vomit.

Other examples of it include blaming African Americans for police racism, making you believe poor Mexican immigrants are to blame for the fact you aren’t rich, and trying to paint every Syrian refugee as a potential terrorist.

During the UK elections the voters were gaslighted with Murdoch owned press and Tory Besties BBC News constantly insinuating that Jeremy Corbyn was a terrorist sympathiser, giving him less airtime than the Conservatives, editing down footage of his speeches where he sounded very capable as a politician, and conveniently not reporting on the record crowds that were travelling from all over the country to see him. All the while May Bot and her hapless Tory spin doctors were actually arms dealing their way to being terrorist adjacent, drawing no crowds, and stealing policies from Satan himself; but the media and the millionaires that did not want a Prime Minister who wouldn’t kiss the ring, and let them keep their offshore tax havens, were definitely on the side of Conservatives.

The best thing to do to find truth in the sea of lies, is to read the same stories from different sources to see how they differ, use independent grassroots media, take the emotional words out of speeches and statements and see it’s real message, and pay attention to what the media is NOT saying; because trust me, the main guys talk themselves blue in the face without saying an AWFUL lot.

Ironically the big screen debut of Gaslight was a kind of a victim of the practice itself. It was sadly overshadowed by the star studded Ingrid Bergman version four years later;  as upon its release MGM studios tried to erase it’s very existence by attempting to destroy all evidence and negatives of its predecessor. Fortunately, the director Throrold Dickinson had the foresight to stash away his own copy, therefore allowing future generations to make their own minds up about who made the better adaption.

For the record, the 1940 version is the definite winner in my eyes. It has an atmosphere and immediacy that the Hollywood version is lacking, and though Bergman is always captivating, Diana Wynyard brings a haunted fragility that cannot be replicated, and in short, is spellbinding.

Darker, grittier, with less humour than the remake, the original Gaslight is a masterpiece in psychological horror, that the glamour of Hollywood can’t hold a flickering candle to.

However, that’s just my opinion. Go, watch both and make your own mind up, I would hate to be accused of manipulation …

Posted in 1940's horror, 40's horror, black and white horror, brit horror, British Horror, critique, fiction, film and media, Forties horror, horror, mental illness, opinion, pop culture, psychological horror, thriller, Uncategorized | Tagged , , , , | Leave a comment

Tower Block (2012)

Gentrification seems to be the new buzz word these days for a very old way of doing things. It’s a great and lovely sounding way of saying ‘’We don’t want your kind round here anymore’’, whether ‘’your kind’’ is the wrong colour, the wrong socio economic status, the wrong demographic; it all means the same thing in the end: that the rich, white people don’t want your low status getting in the way of their high money stakes plans of ‘’regenerating’’ (another popular buzzword) an area. We know these plans aren’t aimed at the same sorts of people because the businesses that replace what was there will be targeting a niche market,  and the homes built will not be affordable social housing, but those meant for young, trendy executive types with large disposable incomes.

You will have heard of the tragedy of the Grenfell Tower Block fire of the last week. The absolute horror of so many lives lost; not to mention the lives completely obliterated by losing every single thing they owned and being left without a roof over their head is something that has completely shocked the nation. The residents of this place fought for years to be heard about the safety concerns surrounding the fire hazards of their home, Tories have closed three fire stations in the area, and instead of the landlords spending money on sprinklers for the buildings, the residents have paid the ultimate price.

The Tories are of course knee deep in this, blood covered hands that swept safety reports under the carpet, while they bought flammable cladding for the buildings , to make the view a bit nicer for the posh folk across the way, but sadly, in the event of a fire, a complete death sentence.  

After the terrorist attacks of Manchester there was a minute’s silence immediately after, victims were named and the government spoke out, calling for action. There is silence after Grenfell, but only from those in power. There are surely copies of tenancy agreements that would help to find and identify the bodies, but the media and conservative government are doing their very best to conceal the true extent of the devastation. So far there are reports of over 160 deaths in the fire, while the Murdoch controlled media stranglehold has been reporting a mere 17.

The Mail and the Sun, Darth May’s loyal followers, have even gone so far as to print a picture of a man they claim to be the cause of the fire (the crime of being poor and buying a faulty refrigerator apparently). You think, wow, that is the lowest you can go, until you find out that a ‘’journalist’’ (I use the term extremely loosely), posed as a grieving relative to get an interview.

Take a bow gutter press, you have truly outdone yourselves this time.

You’ll be forgiven if the Tory government, and victim blaming in the face of tragic circumstances, are giving you Déjà vu feelings of the Hillsborough disaster of the eighties.

Despite the absolute the outcry, the grief, and the anger raging against the bureaucracy and corruption that was the cause of this, the ordinary people who live in this community have truly done themselves proud. Muslims who were up late breaking their Ramadan fast, were some of the first on the scene; alerting residents and bringing food, clothes and water to the victims. A feast was put out on the street for anyone who needed to eat, and the sheer outpouring of love and concern for those affected were truly inspirational.

As someone who grew up on a council estate, and who is the wrong socio economic background, I am proud of where I came from, and people like this, represent the Britain that I want to be a part of .

Tower Block seems eerily relevant after the events of the last week, as it tells the story of a run down block of flats that are going to be demolished, and the remaining residents are under attack by an unknown sniper.

The casting for this film is excellent, and for an independent, character driven piece such as this, it’s nothing short of essential. Russel Tovey and Sheridan Smith are faultless, as usual, and give Tower Block the little something extra that it needs.

Think Batteries Not Included meets Die Hard with none of the sweetness, and a smidgen of ‘’road man’’ attitude.

It’s a great little gem, that was by no means out of the box, in terms of original plot or brutality; but it’s gritty intensity kept you invested until the end.

Simplistic plot which while sometimes unrealistic, has a great dialogue, claustrophobia and some of our most underrated British talent bringing it on home.

And just so you know; It doesn’t matter where you come from, your colour creed or your background, if you have morality and empathy for others, you are richer than Theresa May.

Posted in brit horror, British Horror, critique, fiction, murder, opinion, pop culture, psychotic killer, rant, survival horror, Uncategorized | Tagged , , , , , | Leave a comment

Fear (1996)

How many times have you lied when someone has come on to you in a bar to avoid a confrontation or an insult? I used to be guilty of it. You wear a ring on your wedding finger, you pretend your friend is your girlfriend, you tell them you have a boyfriend … sometimes it is just easier than saying you aren’t interested and being told ‘You’re ugly anyway!’, or ‘I did it for a bet!’ or having one of those guys that just won’t take no for an answer sexually harass you until you have to destroy his fragile masculinity.

It’s not an attack on men, because my male friends have had similar experiences, but lies,  even little kind ones, are not the solution. By softening the rejection, you are just going along with the idea that you owe that person something. You don’t owe anybody anything, and if you aren’t interested in someone then you don’t have to make excuses for that.

Controlling behaviour is becoming a worrying trend in modern relationships, with violence and obsessional conduct on the up. Nothing says that my partner doesn’t trust me like a joint couples account, or going through your partners phone or emails. People saying things like ‘Oh, my boyfriend doesn’t like me wearing makeup/short skirts/low cut tops …’, ‘I made him delete all of the girl’s numbers from his phone’ are all things we have heard or witnessed first-hand at some point, and it is scary how normal these sort of conversations have become.

This is not an issue exclusive to any gender either; the myth of ‘the One’ perpetuated by twisted so called romances such as Twilight and Fifty Shades of Bad Writing, are normalising and romanticising  abuse and obsession, creating narcissistic and insecure individuals who cannot handle rejection and separation in love.

Stalking and abuse isn’t a Hollywood issue, and it can and does happen to anyone. It has happened to me. It is a serious issue and isn’t always about romantic connections, it can be a stranger or a lover, it can be a friend or an enemy, and it is always something you should record and report.

From the second a person starts to exhibit behaviour that is controlling or obsessive make it clear that you will not stand for it, get out, go to the police, tell your friends and family, and cut off all communication.

Fear is a film about a naive young sixteen year old (Reece Witherspoon)who falls in love with an older man (Marky Mark Wahlberg), who becomes violent and possessive. After being rejected by her he begins a campaign of brutality and harassment against her family and friends in a warped attempt to win her back, ending in a terrifying final confrontation.

For a nineties thriller, Fear is a pretty good film. Surprisingly atmospheric and Wahlberg’s menacing performance should be credited as the disturbed David, and the young Witherspoon’s doe eyed innocent is the perfect cast for the part.  In no way, unpredictable or genre breaking, but this story of love gone bad, and a family in turmoil is stronger than your average movie and an undeniably enjoyable watch.

Some stories are told for fun, and some are told to highlight real issues. However unrealistic or silly some films may get for entertainment value, the basic story they are trying to tell, is sometimes the important thing that gets lost.

Posted in 90's horror, critique, fiction, film and media, mental illness, murder, opinion, psychological horror, psychotic killer, revenge, Slasher, thriller, Uncategorized | Tagged , , , | Leave a comment

Stage Fright (2014)

This week has been a kicker, huh? Bombs dropped, both metaphorical and physical, world leaders engaging in a pissing contest that soaks everyone’s walls but their own, and informed, sensible, and dare I say normal, human beings are  trying to live their lives under the constant threat of a third world war. 

When the whole world is going to hell in a reusable shopping tote, you have to look at the positives; there is still chocolate and puppies, and stories about the American President paying for golden showers with Russian hookers … There is still distraction in laughing at the idea that a reality star is running a world power (I would have definitely preferred Snookie though, if I’m being completely honest), and he is still clinging to the idea that his hair is real.

So in the theme of distracting us from the fact we could all be vaporised tomorrow, I’m reviewing a comedy horror that is also a musical. With MEATLOAF. If that don’t put a smile on your faces, I fear there may just be no hope for you at all.

Camilla and Buddy are two teenagers orphaned when their mother (Minnie Driver) is brutally murdered on the night of a new musical’s debut, working for bed and board at a theatre camp that their mother’s former lover Uncle Meatloaf runs.

Desperate for money to keep afloat and gain recognition from the world he was once a part of, their pseudo Uncle decides to stage the very Opera that ended so tragically a decade ago.

Obviously tempting fate, Camilla is determined to play the role that her mother died for, facing  stiff competition from the precocious campers, someone is prepared to kill in an attempt to stop the production.

Stage Fright is the film that makes everything you ever wanted to happen to the kids in Glee, happen. There is blood, songs and plenty of tongue in cheek homages to the cult horror of my youth.

It’s silly, really laugh out loud funny, and though not especially original, it’s a stand out debut from Canadian director Jerome Sable. I can tell as a fan of the genre that Sable’s film is more of a love letter to the cult slashers of the eighties, with plenty of satisfying kills, and a grisly humour that really works.

Whatever your horror fetish, Stage Fright is light entertainment, bathed in blood, with some catchy little ditties thrown in for good measure. You may even crack a smile – I did.

Posted in 80's horror, Eighties Horror, fiction, film and media, murder, opinion, pop culture, revenge, Slasher, Twist ending, Uncategorized | Tagged , , , , , | Leave a comment